| F | I LOVE YOU, I LOVE YOU NOT (1996) |
|
ILo (DVD) |
Uneven drama about Daisy (Claire Danes), a shy Jewish teen in a New York prep school, who develops a crush on Ethan (Jude Law), the most popular guy in school. Although Daisy is a quiet bookworm, a poem that she writes attracts Ethan’s attention. The two become a pair – much to the disgust of Ethan’s friends. Daisy has an extremely close relationship with her grandmother (Jeanne Moreau), a Holocaust survivor. They share secrets and innermost thoughts, and are inseparable – almost like best friends. Frequently, the grandmother tells Daisy bits about her experiences in the Holocaust, shown through flashback scenes. A repeated scene shows how the grandmother’s best friend rejected her because she was a Jew. This theme of anti-Semitism is repeated when Daisy’s classmates learn she is a Jew (Daisy is blonde and no on suspected her of being Jewish). First, Daisy finds an anti-Semitic clipping on her locker and eventually, Ethan breaks up with her, telling her that she’s different and “too intense.” Daisy is overwrought with grief but by the end, viewers are led to believe that the love and strength shared with her grandmother will carry her through. Note: The film grapples with many important ideas but doesn’t seem to quite hold it together. A rating of PG-13 was given probably for some obscene language (Daisy has difficulty saying swear words and the grandmother tries to get her to say them aloud as a means to release her anger). Teachers should preview before using this in a classroom. |
|
80 min. AGE: 13 to Adult |
|
|
JHVC |
|
|
296.833 |
In Her Own Time (1985) |
|
In |
When Barbara
Myerhoff, whose life as an anthropologist has been dedicated to the studies
of community, learns that she is dying of lung cancer, she decides to
document her own search for solace in the spiritual community of Jewish
religious observance. Myerhoff engages in a journey through the pathways of
Judaism while studying the life of an Orthodox community in Los Angeles. A
secular academic accustomed to a life of individuality and independence, she
nonetheless feels herself drawn to living in a way that is more intensely Jewish,
more bound by rituals and traditions. Her quest for a place for her soul is
the basis of In Her Own Time, as
much about life as about dying. |
|
|
50
min. AGE: 13 to Adult |
|
301.412 |
|
|
Isr |
This film looks at
feminism in Israel as seen through the eyes of four diverse Israeli
women—including Knesset member Shulamit Aloni, an Orthodox businesswoman, and
the former Israeli Miss Universe.
Produced by Hadassah. |
|
|
12
min. AGE: 12 to Adult |
|
F |
LEFT LUGGAGE (1998) |
| Lef |
Beautifully filmed production about Chaja, a modern young Jewish women in 1970s Belgium who takes a job as a nanny for a Hasidic family, the Kalmans. Chaja is a rebellious philosophy student who has a strained relationship with her parents, both Holocaust survivors. Her mother tends to nag and push food while her father is constantly digging holes in the ground, searching for the luggage he buried with family photos and heirlooms during the Holocaust. When she begins working for the Kalmans, Chaja has a rather negative attitude towards Judaism which changes as she learns to respect aspects of their way of life. Chaja also forms an attachment to the Kalman’s youngest son – a boy who doesn’t speak. Through her experiences and involvement with the Kalman family, Chaja grows as an individual and is first able to have more of an understanding and appreciation of her parents. A sensitive and moving film with a wonderful performance by Isabella Rosellini as Mrs. Kalman. Also stars Maximilian Schell, Laura Fraser, Topol and Jeroen Krabbe (who also directs). |
|
1 hr. 40 min. AGE: 12 to Adult |
|
|
940.54 |
A LEGACY OF GOODNESS: FRENCH RESCUERS DURING WORLD WAR II
(The Ruth |
|
Leg |
K. Hartz Story) (1997) |
|
|
Companion piece to
the biography Your Name is Renée,
by Stacy Cretzmeyer. This is the true story of Ruth K. Hartz, a young French
Jew who was separated from her parents when she was four years old and hidden
from the Nazis in a convent. While there, she was told to deny her faith and
take on the name “Renée.” This video shows highlights of Ruth and her
husband’s return visit to France in 1996, where they met the families who rescued
them—in unrehearsed interviews both with the rescuers and their children and
grandchildren. Those interviewed express how little is taught in France to
children today about France’s collaboration and heavy involvement with the
Nazis. Extensive Teaching Guide available. Note: As the video is comprised primarily of
interviews (and Ruth Hartz talks in a stilted manner), the film may not hold
the interest of young people unless they have previously read the book. This
is a good supplemental source for Holocaust units, but would not be a first
choice for classrooms with limited time. Weapons of the Spirit or The Courage to Care are stronger films about Righteous
Gentiles. |
|
|
Interviews are in French with subtitles.
28 min. AGE: 13 to Adult |
|
F |
A LETTER TO MOTHER (A Brivele der Mamen)
(1938) |
|
Let |
One of the last
Yiddish films to come out of Poland before the Nazi invasion, this drama
shows the disintegration of a Jewish family due to poverty, stress and World
War I. Its central character, Dobrish (played by Lucy Gehrman), is a strong
Jewish mother who works hard to keep her unemployed husband and three
children close—and close to tradition. The film is set both in the Ukraine
and in New York—as part of the family has already immigrated to America.
Although the film takes place during World War I, its themes of loss and
deterioration of the family structure mirror difficulties facing European
Jews in 1939. Directed by Joseph Green. |
|
|
In Yiddish with subtitles.
1 hr. 40 min. AGE: 13 to Adult |
|
F |
MADAME ROSA (1977) |
|
Mad |
Academy
Award-winning French drama about an aging Jewish ex-madam (a Holocaust
survivor) who makes her living taking care of the young children of
prostitutes in a Paris ghetto. Among the children in her charge is a Moslem
boy, whose mother left him there when he was small and never returned. The
touching relationship between the older woman and this boy, whom she calls
“Momo,” is the focal point of the movie. She protects and takes care of him,
and as time passes, he has a chance to repay her kindness. Actress Simone
Signoret gives a masterful performance as Madame Rosa who, despite her
difficult life, has a soft spot for these children and wants the best for
them. Directed by Moshe Mizrahi. |
|
|
In French with subtitles.
1 hr. 44 min. AGE: 16 to Adult |
|
F |
MAMELE (Little Mother) (1938) |
|
Mam |
Yiddish musical
starring Molly Picon as Khavtshi, the youngest daughter of a widower who
takes care of the house and family of seven. She does her best to please them
all and to be their “little mother”—but her efforts are met with indifference
and scorn, and they all take advantage of her generous nature. Eventually
Khavtshi is pushed to her limit and runs away from home, only to discover
love where she least expected to find it. |
|
|
In Yiddish with subtitles.
B&W. 1 hr. 30 min. AGE: 13 to Adult |
|
F |
MARJORIE MORNINGSTAR (1957) |
|
Mar |
Drama based on
Herman Wouk’s novel about a beautiful 18-year-old American Jewish girl in the
1930’s who wants a career in the theater. She leaves her family for a season
of summer stock theater and falls in love with an assimilated Jewish
songwriter/producer at an east coast resort—and learns a great deal about
love and life through the relationship. We watch her development from a
sheltered, innocent college coed to a woman of the world. Predecessor to the
“Jewish Princess” stereotype found in later American films. Stars Gene Kelly
and Natalie Wood. |
|
|
2
hrs. 5 min. AGE: 12 to Adult |
|
392.4 |
ME AND MY MATCHMAKER (1996) |
|
Me |
Lively documentary
about a Jewish matchmaker, made by a non-Jewish, single filmmaker. Irene
Nathan decided to enter the matchmaking business after her son had grown, to
help single Jews meet each other. At the time the film was made, she had been
in the business for sixteen years in Chicago, where she is an active member
of the Orthodox Jewish community. The film opens with a potpourri of snippets
of some of Irene’s clients—they tell her what they’re looking for in a future
spouse and later give their reactions to the dates Irene has arranged for
them. Viewers are also treated to a good dose of the matchmaker’s philosophy
about relationships between men and women. A close friendship develops
between filmmaker Mark Wexler and Irene, as she advises him on his own
romances—and warns him to stay away from her Jewish clients unless he plans
to convert (advice he doesn’t always follow). Note: An enjoyable and
enlightening film which can be used to generate discussions about modern
relations between Jewish men and women, exploring perceptions they have of
each other which often create barriers. |
|
|
55
min. AGE: Adult |
| F | MINA TANNENBAUM (1993) |
| Min |
French film tells the story of the 25-year friendship between two young Jewish women who met during a ballet class at age seven. As children, both felt like outsiders among their peers: Ethel was overweight and Mina wore glasses. As they become young women of the world, however, differences emerge and the friendship suffers. Mina becomes a successful, but melancholy and introspective artist; while Ethel becomes an attractive, free-living, freelance journalist. The film follows the pair as they periodically meet on the same park bench and discuss their lives over the years. As time passes, they grow further and further apart. Eventually, both women fall in love with the same man, and tragedy ensues. Winner of the “Palme d’Or” at the 1994 Cannes Film Festival. |
|
In French with subtitles. 2 hrs. 10 min. AGE: 17 to Adult |
|
|
JHVC |
|
|
F |
Mirele Efros (1939) |
|
Mir |
No playwright had
more impact on the character of the Yiddish theater than Jacob Gordin. Gordin
was born in the Ukraine and moved to New York at the turn of the century. On
New York's Jewish radio, his plays became renowned for their sophisticated
narratives that expounded on the ideals of “menschlichkeit”—the practice of
honesty, decency, and devotion to family and community. Mirele Efros, often called the "Jewish Queen Lear," is
considered Gordin's masterwork. It tells the story of a pious widow named
Mirele who handpicks a wife for her oldest son, Yossele. But after the
wedding, Mirele discovers that her new daughter-in-law, Shaindele, is selfish
and conniving. The resulting conflict between mother, son, and wife provides
fertile ground for exploration of themes inherent in Gordin's works. Note: Subtitles are faded and often hard to
read. |
|
|
In Yiddish with subtitles.
B&W. 1 hr. 20 min. AGE: 14 to Adult |
|
F |
MISS ROSE WHITE (1991) |
|
Mis |
Young career woman
Rose White and her father learn that Rose’s sister, who they haven't seen for
15 years, has survived Auschwitz and will be joining them in America. When
the sister, Luisa, arrives, she carries with her the anguish of the Holocaust
and a bitterness towards her father for not getting her out of Europe in
time. An additional theme deals with American assimilation, as Rose has
changed her name from Rayzel Weiss and hides her Judaism from her friends and
co-workers. An Emmy Award-winning film starring Maximilian Schell, Amanda
Plummer and Kyra Sedgwick. Based on the play “A Shayna Maidel” by Barbara
Lebow. Note: Can be used to
relate to Holocaust units as well as to the Americanization of Jewish
immigrants. |
|
|
1
hr. 35 min. AGE: 12 to Adult |
|
F |
MY MICHAEL (1975) |
|
My |
Israeli classic
film based on the book by Amos Oz. The story concerns two young people,
Michael and Hanna, who meet, marry and have a child in the divided Jerusalem
of the late 1950’s. As time passes, Hanna becomes increasingly unhappy in the
marriage, and has passionate daydreams about Arabs she knew when she was
young. Michael, a geologist, is a non-emotional man, whose life and routines
run as precisely as a clock. As time passes, Hanna becomes increasingly
dissatisfied, and longs for something greater in life. Stars Oded Kotler and
Efrat Lavie. Note: A disturbing
film. Viewers would benefit from prior background knowledge before viewing
and may wish to compare the film with the novel. Includes brief scenes of
nudity. |
|
|
In Hebrew with subtitles.
1 hr. 35 min. AGE: Adult |
| 940.53 | MY MOTHER’S COURAGE (1995) |
| My |
Powerful dramatization based on the true story of a Jewish housewife who was arrested by the Hungarian police in 1944. The film is based on the autobiographical play and novel by Hungarian author George Tabori, about events in the life of his mother. Pauline Collins gives a stellar performance as Elsa Tabori, a good natured and likable Hungarian woman who is arrested while shopping and is forced onto a train with thousands of other Jews for deportation. When Elsa realizes the truth of her situation, she takes a courageous stand which results in saving her life. The film includes both humor and satire, and some very dark scenes. Directed by Michael Verhoeven (director of The Nasty Girl and The White Rose). Note: Tabori appears in the film as the narrator, himself. |
|
|
In German with subtitles. 1 hr. 28 min. AGE: 17 to Adult |
|
F |
NOA AT SEVENTEEN (1982) |
|
Noa |
Complex drama
involving the struggles of a seventeen-year-old girl as her family and peers
debate over the ideology of the Kibbutz Movement. This follows the historical
split in the Kibbutz Movement in the early 1950’s between classical Russian
socialism and a more liberal socialism influenced by the West. Noa and her
peer group mirror the debate of the adults. Noa must decide whether to finish
high school or follow her youth movement friends to kibbutz—whether to
conform or stand apart as an individual. A powerful film dealing with the
rights of the individual as well as depicting ideological issues from Israeli
history. |
|
|
In Hebrew with subtitles.
1 hr. 26 min. AGE: 14 to Adult |
| 940.54 | NUREMBERG (2000) |
| Nur |
Alex Baldwin plays U.S. Supreme Court Justice
Robert Jackson in this TNT made-for-TV mini-series about the Nuremberg trials.
Unlike the classic Judgment at Nuremberg, this film uses real names –
and aims to dramatize what actually happened at the Nuremberg trials.
Jackson’s aim was to represent the Allies and to prosecute high-ranking
Nazis for their crimes against humanity. The film also examines the psychology
of the Nazis on trial, examining what type of individuals could commit such
heinous crimes. Based on the book Nuremberg: Infamy on Trial by Joseph
Persico. Also stars Jill Hennessey, Brian Cox, Max Von Sydow and Christopher
Plummer. Brian Cox won an Emmy Award for his incredible performance at Nazi
Herman Goering. Goering was a shrewd and manipulative man who could quickly
shift from charismatic and charming to a brutal psycho. Note: As
a drama, this film should hold the viewer’s attention and give them some
feeling for what these trials were about. It does not have the powerful impact
of the film, Judgment at Nuremberg, even though Nuremberg attempts to follow
the details of the actual Nuremberg trials, where Judgment at Nuremberg is
more fictionalized. Note: One brief section during the trials contains
some actual graphic black and white footage of liberation of the concentration
camps. |
|
2 hr. 59 min. AGE: 14 to Adult |
|
|
781.7 |
OFRA HAZA: FROM DUSK TO DAWN (1983) |
| Ofr |
The late
Israeli popular singer, Ofra Haza, performs in three different settings: a
popular Jaffa nightclub, an air force base and a Yemenite club. Her music
reflects her strong Yemenite background and her performance reinforces her
reputation as one of Israel’s greatest vocalists. |
|
In Hebrew. 42 min. AGE: 12 to Adult |
|
|
940.53 |
ONE
SURVIVOR REMEMBERS
(1995) |
|
One |
A remarkable
Holocaust testimony. Survivor Gerda Weissman Klein tells of her experiences
during the Holocaust in this Academy Award-winning short documentary. She
tells of her separation from family; the hunger and hard work in the slave
labor camp on the German/Polish border; and the death march, during which she
lost all three of her close friends. A haunting portrayal which will linger
in the mind long after viewing. An excellent resource for classes where survivors
are not available for live testimonies. Note: The opening segment includes some very graphic film footage and may
not be suitable for all audiences. Facilitator may wish to “fast forward”
about one minute and begin with Klein’s story. |
|
|
40
min. AGE: 14 to Adult |
| 940.53 | OUT OF THE ASHES (2003) |
| Out |
Christine Lahti stars in the true story of Dr.
Gisella Perl, a Jewish gynecologist who was a prisoner in Auschwitz during the
Holocaust and performed abortions on Jewish women to save their lives. When
the film opens, Perl is meeting before an Immigration and Naturalization panel
investigating her application for U.S. citizenship. The committee is
questioning whether or not she was a collaborator with the Nazis. Dr. Perl, a
practicing physician in 1947 New York, is appalled by this inquiry and the
bulk of the film is done in flashback, showing her experiences during the
Holocaust. Viewers see Perl growing up in Hungary, becoming a doctor and
raising a family. In 1944, she was deported on cattle cars to Auschwitz and
forced to work in the infirmary with Dr. Josef Mengele. When Perl sees that
both pregnant women and infant babies born in Auschwitz are murdered, she
decides to perform abortions in the camp to save women’s lives. Gisella Perl
survives the Holocaust, loses her family, deals with the guilt of survival,
and attempts to start a new life in America. Years later, she finds herself
being interrogated as a possible traitor. Christine Lahti delivers a powerful
performance and the film opens many critical issues for discussion. Based on
the autobiography, “I Was a Doctor in Auschwitz” by Gisella Perl. Note:
Contains nudity and violence. Some scenes are quite disturbing and
raise ethical issues for group discussion. |
|
2 hrs. AGE: 15 to Adult |
|
|
940.54 |
THE OTHER SIDE OF FAITH (1990) |
|
Oth |
Personal narrative
about a 16-year-old Catholic teenager, Stefania Burzminski, who risked her
own life and that of her younger sister to save the lives of 13 Jews in
Przemysl, Poland, during the Holocaust. The narrative alternates between
Stefania telling her story, and her husband—one of the Jews she saved—telling
of his war experiences. Together, they brought 13 Jews into the attic of an
apartment, and Stefania sheltered and fed them all for two years, until the
war ended. Stefania is a religious Catholic—one of the Righteous Gentiles who
showed rare courage and faith. Study guide available. |
|
|
27
min. AGE: 12 to Adult |
| F | PASSOVER FEVER (1995) |
| Pas |
Gila Almagor stars as Yona, the matriarch of a
modern Israeli family who gather together to celebrate Passover. As is typical
with many modern families, this family has its share of dysfunction. Yona
suspects that Michael, her husband, is having an affair. Yona’s four
children each have their own set of problems. Her oldest daughter is allergic
to everything. One son is recently divorced and brings a new girlfriend to the
Seder – problematic, as his ex-wife is there with their son. Another son
comes in with his heavyset wife who doesn’t get along with his family, and
the youngest son has an eating disorder. Add to this a group of grandchildren,
and viewers will discover that families are the same across cultural
boundaries – each with its own share of characters, heartaches and loving,
wonderful moments. Note: Includes profanities. |
|
In Hebrew with subtitles. 1 hr. 40 min. AGE: 14 to Adult |
|
|
F |
PICK A CARD (Afula Express) (1997) |
|
Pic |
Winner of six
Israeli Academy Awards, this upbeat romantic comedy depicts a modern
relationship between a likable and rather zaftig
(substantially built) young couple. David and Batia are representative of
ordinary young people who dream of a better life. The two have moved to Tel
Aviv from Afula (not the most desirable Israeli city) in an attempt at upward
mobility. David dreams of being a famous magician instead of the car mechanic
he was in Afula—a trade he learned from his father. This becomes comically
problematic, as he is totally devoid of talent in the magic department. Batia
works as a checker in a grocery and dreams of getting married and having a
family—instead of working in a mundane job to support her loafing boyfriend.
Eventually, their dreams collide, and the film takes a few unexpected
turns—forcing each to make choices grounded in reality. Note: Includes
profanities and an explicit sexual scene. |
|
|
In Hebrew with subtitles.
1 hr. 35 min. AGE: Adult |
|
F |
A PRICE ABOVE RUBIES (1998) |
| Pri |
Controversial,
high-charged drama which takes a harsh look at women’s roles in Hasidic
Jewish society. Renee Zellweger plays Sonia, a high spirited young Hasidic
woman in Brooklyn who is deeply frustrated by her role as wife and mother and
longs for something more from life. When her husband’s brother, Sender,
offers her a job in his jewelry business, Sonia jumps at the change to escape
the monotony of her life. As her parents were gemologists, Sonia has an
extensive knowledge of the diamond industry and does well in business.
Sonia’s husband (a flat character) is a Torah scholar who exalts his
studies, Torah and devotion to the Rebbe above anything else (including
Sonia). His brother, Sender, on the other hand, is unscrupulous, cynical and
dishonest. He takes advantage of Sonia’s need and emotional instability and
actually rapes her (and maintains a sexual relationship). Later in the film,
Sonia discovers a Puerto Rican jewelry maker who makes exquisite and artistic
pieces. Her relationship with him causes her to eventually be excommunicated
from her society – and from her child. Note: Zellweger
gives a passionate and intense performance as Sonia. The filmmaker, Boaz
Yakin, gives a biased and two-dimensional portrait of Hasidic society. The men
are self-centered and the women are oppressed and not viewed as individuals by
the men. Viewers should know that this is far from an objective portrayal of
Hasidic Jews – and evaluate it accordingly. A highly discussable film. Rated
R. Contains partial nudity and mature subject matter. |
|
2 hrs. 56 min. AGE: 17 to Adult |
|
221.95 |
QUEEN ESTHER
(Hanna-Barbera's Greatest Adventure Stories) (1991) |
|
Que |
In this animated
Bible story presented in the framework of three contemporary children
traveling back in time, Esther marries King Ahasuerus and saves the Jewish
people from the wicked Haman, who wishes them all killed. |
|
|
30
min. AGE: 4 to 10 |
|
221.92 |
QUEEN ESTHER: FAR AWAY AND LONG AGO (Mysteries of the Bible Series) (1994) |
|
Mys |
Part of a series of
videos produced by The Arts and Entertainment channel which utilize a
scholarly approach to investigate stories of the Bible—and explore which
parts we know to be true from historical and archaeological sources. This
video follows Biblical and historical scholars as they explore in-depth the
story of the Book of Esther. Could a woman of Persia have come to such power,
and was there actually a King Ahasuerus? Why was the Book of Esther the only
book of the Old Testament missing from The Dead Sea Scrolls? Scholars journey
to the ruins of the ancient Persian Palace of Persepolis in the desert of
Iran to cast further light on this story. |
|
|
50
min. AGE: 13 to Adult |
Women Categories:
| (A-H) | (I-Q) | (R-Z) |