|
JHVC |
|
|
F |
East and West (1923) |
|
Eas |
A silent comedy
made in Vienna in 1923, East and West takes
a satirical look at some of the stereotypes of the Jewish world shortly after
World War l. It is the earliest existing film with Molly Picon, one of the
most prominent actresses of Yiddish stage and film. Molly Brown, a young
American woman, and her immigrant father, a wealthy businessman, are invited
back to his Polish hometown for a family wedding. Molly finds her Old World
relatives old-fashioned, while they are shocked by her modern, carefree ways.
Molly's rebellious pranks are climaxed by a mock wedding, in which she
unintentionally becomes married for real to a devout yeshiva student. The
deed, it turns out, is not easily undone. |
|
|
B&W.
1 hr. 25 min. AGE: 14 to Adult |
|
973 |
ELLIS ISLAND (1996) |
|
Ell |
Produced by the
Arts & Entertainment Network for the History Channel, this extensive
documentary takes a look at Ellis Island and the immigrant experience. It
explores how Ellis Island was chosen, how it was built and how it was
eventually transformed into a national treasure. The bulk of the film deals
with the immigrant experience with numerous interviews as well as archival
documentary film clips. Narrated by Mandy Patinkin. |
|
|
3
hrs. AGE: 12 to Adult |
|
JHVC |
|
|
F |
Enemies, A Love Story (1989) |
|
Ene |
Memories pursued
Holocaust survivors when they tried to reestablish their lives after World
War II. For many who came to America, the vast differences between their new
lives and what they had experienced created problems that were difficult to
resolve. Enemies, A Love Story, based
on a novel by Isaac Bashevis Singer, follows the intertwined affairs of
Herman Broder, a writer haunted by nightmares as he tries to settle into his
new life in New York. Married to Yadwiga, the Polish woman who saved him, he
has a Jewish mistress, fellow survivor Masha. His life and deceptions become
even more frenetic as his first wife, Tamara, arrives in New York, having
also survived. Ron Silver, Anjelica Huston and Lena Olin all give superb
performances in this compelling movie. |
|
|
2
hrs. 1 min. Rated R. AGE: Adult |
|
F |
THE FIRST SEVEN YEARS
(1998) |
|
Fir |
Wonderful
adaptation of Bernard Malamud’s National Book Award-winning story. This drama
takes place in Manhattan’s Lower East Side in 1949 and tells the story of a
shoemaker and his wife who have a daughter, Miriam, of marriageable age. They
want her to have a better life than theirs, to marry a college boy; but they
are unaware that she is in love with her father’s assistant, a Holocaust
survivor. The film leads to an examination of what is most valuable in life.
Stars Carol Kane and Israel Horovitz. Study guide available. |
|
|
28
min. AGE: 12 to Adult |
| F | FOCUS (2001) |
| Foc |
Arthur Miller story set in early 1940s Brooklyn
which examines themes of anti-Semitism, intolerance and the danger of being a
bystander. Lawrence Newman (William H. Macy) is a very average sort of man, a
meek ordinary businessman who lives with his mother and leads a quiet life.
When the film opens, Macy witnesses the rape of a Puerto Rican woman outside
his window but takes no action to help her – not even when a criminal
investigator is looking for witnesses. Not long after, he becomes the victim
as people mistake him for a Jew. Newman starts to wear a new pair of glasses
that make him “look Jewish” and he becomes a target for discrimination
among his neighbors and associates (Newman couldn’t see well before – both
realistically and metaphorically). First, Newman loses the job he has held for
20 years in a publishing company. While searching for a new job, he meets,
falls in love with and marries a woman (Laura Dern) who his neighbors think is
Jewish. The two become ostracized and must decide whether to stand up to
racism or try to fit in. Also starring David Paymer and Meat Loaf. Note:
Based on Arthur Miller’s first novel, this work does not have the
polish and power of some of his later pieces. William H. Macy is a fine actor,
but it may be difficult for some viewers to believe that he would be mistaken
for a Jew in this role. Rated PG-13 for thematic material, violence and some
sexual content. |
|
1 hr. 44 min. AGE: 13 to Adult |
|
|
JHVC |
|
|
070.484 |
|
|
For |
Between 1880 and
1925, two and a half million Yiddish speaking Jews immigrated to America,
leading to a flourishing Yiddish publishing industry. The Forward, founded in 1897 by Abraham Cahan, was the most
famous and influential of the Yiddish newspapers. It served as a guide to
transition, helping Yiddish speakers assimilate into the American mainstream
by covering a vast range of topics, from citizenship to canning fruit. The Forward strongly supported labor
unions, socialist candidates, and FDR. It published translations of classics
such as Madame Bovary and the works
of the giants of Yiddish literature, including Isaac Bashevis Singer. The
film follows the paper up to 1987, when it became a weekly. |
|
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58
min. AGE: 12 to Adult |
|
JHVC |
|
|
320.5 |
|
|
Fre |
Anarchism, which
rejected government in all its forms, was the largest radical movement among
Jewish immigrants in the 1880’s and 1890’s and continued to attract fervent
supporters in the early decades of this century. In 1977, as the Jewish
anarchist newspaper Freie Arbeiter
Stimme was about to close down after 87 years of publication, the
filmmakers interviewed elderly anarchists about their experiences in the
movement. They talked about the conditions that led them to join, their fight
to build trade unions, differences with the Communists, attitudes toward
violence, Yiddish culture, and loyalty to one another. Free Voice of Labor: The Jewish Anarchists introduces us to the
authentic voices of an era gone by. |
|
|
58
min. AGE: Adult |
|
F |
THE FRISCO KID
(1979) |
|
Fri |
Hilarious comedy
about a nonconformist Rabbi in 1850’s Poland who is sent by his yeshiva to a
congregation in San Francisco. He is swindled out of all his money on his
first day in America and befriends a bank robber. Together they go through
life and faith-testing episodes through which each becomes a better man.
Stars Gene Wilder and Harrison Ford. Note: Some offensive language. |
|
|
2
hrs. AGE: 11 to Adult |
|
977.5 |
FROM WALNUT STREET (1985) |
|
Fro |
A history of the
Jews in Milwaukee as told by a grandfather to his grandson. Study guide
available. |
|
|
17
min. AGE: 9 to Adult |
|
F |
FUNNY GIRL (1968) |
|
Fun |
Barbra Streisand
won an Oscar for her performance in this musical about the early stage career
of Jewish comedienne Fanny Brice. We see Brice’s theatrical beginnings as a
roller-skating chorus girl in a music hall, when no one believed she could
ever be a star as she didn’t have “classic” good looks. Within a year, Fanny
becomes a hit in comic roles for Florenz Ziegfield in his Follies. She falls
madly in love with a handsome non-Jewish gambler, Nick Arnstein, which leads
to a tumultuous marriage. Memorable songs include “People” and “Don’t Rain on
My Parade.” |
|
|
2
hrs. 35 min. Rated G. AGE: 10 to Adult |
|
F |
GOD, MAN AND DEVIL (1949) |
|
God |
Based on a play by
Jacob Gordin, this American-made Yiddish drama explores whether or not a good
and pious man will be corrupted by money. Satan makes a wager with God that
he can tempt Hershele Dubrovner—a poor, religious Torah scribe—by handing him
a lottery ticket which will win a fortune. Satan then disguises himself and
becomes Hershele’s business partner, advising Hershele to open a tallis
factory and hire the community men to work for a pittance. The disguised
Satan also tells Hershele to divorce his barren wife of 22 years and marry
the young and beautiful niece that Hershele and his wife had raised. Hershele
follows all of the advice he is given—and in the process destroys his family,
his friendships, and any spiritual values he once had. He learns that life
holds no remedies for the damage he has caused, and the film ends tragically.
Note: A heavy, moralistic film which
illustrates how money and power can corrupt—bringing greed and discontent
rather than the happiness which is sought. |
|
|
In Yiddish with subtitles (which are difficult to read at
times). |
|
|
B&W.
1 hr. 40 min. AGE: 14 to Adult |
|
792 |
|
|
Gol |
An entertaining and
loving chronicle of Yiddish theater in America, from its beginnings at the
turn of the century to its Golden Age on Second Avenue. Narrated by Herschel
Bernardi, this documentary includes excerpts from classic Yiddish films
(subtitled in English) plus rare stills and musical vignettes from the
American Yiddish Theater, as well as scenes from New York’s Lower East Side.
The film introduces viewers to the major personalities of 75 years of Yiddish
theater, including an unrehearsed meeting with Molly Picon, Jacob Kalich,
Isaac Bashevis Singer, Jacob Ben Ami, Berta Gersten, and Cella Adler.
Includes performances by Paul Muni, Maurice Schwartz, Menashe Skulnik, Molly
Picon, and Boris Thomashefsky. |
|
|
Color/B&W.
1 hr.10 min. AGE: 12 to Adult |
|
909.04 |
THE GOLDEN LAND (1654-1932) (Heritage: Civilization and the Jews, Chapter VII)
(1984) |
|
Her |
Part of the
“Heritage” series which chronicles over 3,000 years of Jewish history,
thought, and culture. This chapter looks at the Jewish experience in the New
World. Topics covered include “The Colonial Jew,” “The German-Jewish
Experience” and “The Lower East Side.” Study guide available. |
|
|
1
hr. AGE: 12 to Adult |
|
917.3 |
THE GOLDEN LAND ON THE SILVER SCREEN (1987) |
|
Gol |
Provides an
opportunity to study the American Jewish experience through discussion of six
carefully selected American feature films. This video introduces and provides
some follow-up discussion for these films: Hester Street, The Jazz
Singer, Brighton Beach Memoirs,
The Way We Were, The Heartbreak Kid and The Frisco Kid. Study guide available. |
|
|
1
hr. AGE: 16 to Adult |
|
F |
THE
GOLEM OF L.A. (1994) |
|
Gol |
A modern day Golem
story set in 1990’s urban America. Ed Asner plays the elderly rabbi in the
oldest remaining synagogue in Los Angeles. The story involves David, a
contemporary young Jewish man studying to be a teacher, and his elderly,
religious grandfather. David’s grandfather is very upset that his 75-year-old
synagogue is about to be demolished to make way for luxury apartments. In
desperation, he brings to life a Golem to help save the synagogue—not
anticipating the consequences. The story highlights the generation gap and
differences between a modern day Jewish teenager, who doesn’t see the need
for old traditions, and the world of his Traditional grandfather, who doesn’t
understand his grandson’s secularism. Note: Teachers may wish to read students a more traditional Golem story,
such as The Golem, by Barbara
Rogasky, Let’s Steal the Moon, or
one of the picture book versions—and then compare this modern day version. |
|
|
25
min. AGE: 10 to Adult |
| 921 | GOOD CONVERSATION! A TALK WITH CHAIM POTOK (1997) |
| Pot |
Intriguing interview with renowned American Jewish writer, Chaim Potok, author of The Chosen and My Name is Asher Lev at his home near Philadelphia. Potok discusses his career as a writer, his love for painting, and how his traditional background discouraged both. He also speaks about what he thinks it means to be a Jew in America and his own religious identity, including his faith in G-d. Potok says that he feels that human beings create meaning in what may otherwise be an indifferent existence. He hopes that his writing will open up new worlds for readers – worlds which they may not otherwise explore and which may affect them positively. Note: Six minutes into the film there is a brief “commercial” for the Jewish Theological Seminary in New York which lasts about two minutes. |
|
20 min. AGE: 13 to Adult |
|
|
F |
GOODBYE COLUMBUS
(1969) |
|
Goo |
Classic Jewish
film, based on the social satire by Philip Roth, about a poor Bronx
librarian, Neil, who falls in love with Brenda, a spoiled “Jewish princess”
in the 1960’s. The film presents a biting portrayal of the snobbishness and
materialism of Jewish life in the upper social sphere of the suburbs.
Brenda’s “country club” life and values are contrasted to Neil’s modest
background, as he aspires to be part of her group—amid the opposition of both
sets of parents. Stars Richard Benjamin and Ali McGraw. Note: The film has been widely criticized for
its stereotypical portrayal of upper class Jews. |
|
|
1
hr. 45 min. AGE: 14 to Adult |
|
783.2 |
GREAT CANTORS IN CINEMA (1993) |
|
Gre |
Produced by the
National Center for Jewish Film, this documentary uses restored archival
footage to look at five specific cantors who appeared on film from 1931 to
1946. These include Josef “Yossele” Rosenblatt, Moshe Koussevitsky, Mordechai
Hershman, Moishe Oysher and Louis “Leibele” Waldman. The first third of the
twentieth century was the “Golden Age of Chazzanut” in America—a coming
together of unbelievable cantorial talent from the capitols of Europe, most
of it focused in New York. As sound in film was not available until the late
1920’s, this “Golden Age” is recorded on film mainly during the 1930’s and
1940’s—when cantors often played cantors in the films in which they appeared. |
|
|
In Yiddish with English narration and subtitles.
B&W. 1 hr. AGE: 14 to Adult |
|
783.2 |
|
|
Gre |
The “Golden Age of
Chazzanut” was between 1910 and 1940. In 1931, a film called The Voice of Israel was produced. It
provided both a visual and audio record of some of the most famous cantors of
this period. This video includes selections from that original film, narrated
with commentary by Dr. Max Wohlberg, a Jewish Theological Seminary Professor
of Liturgy and Chazzanut. Cantors performing include Mordechai Hershman,
Adolph Katchko, David Roitman, Yossele Rosenblatt, Joseph Shilsky and the
voice of Gershon Sirota. Note: During the first eight minutes, Dr. Wohlberg provides a brief
history of the Golden Age of Chazzanut. Then the film clips of the cantors
begin, interspersed with Wohlberg’s commentary. |
|
|
Color/B&W.
55 min. AGE: 13 to Adult |
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