|
296.435 |
THE HANUKKAH SOLDIER (1992) |
|
Han |
Set in southern
Tennessee in 1862, this is a short play about racial intolerance and
religious prejudice during the Civil War. A Jewish northern soldier is
forbidden to light his menorah by a prejudiced sergeant. The company's black
cook, a former slave, shows the soldier the importance of standing up for
your beliefs. |
|
|
23
min. AGE: 12 to Adult |
|
296.833 |
THE HASIDIM (Lubavitch-Chabad) (1972) |
|
Has |
Documentary about
the Lubavitch Movement, narrated by Rabbi Chaim Drizin, which provides
background to the Chabad Movement, describing their religious philosophy and
explaining traditions and customs. Includes footage of a farbrengen with the Rebbe, Menachem Mendel Schneerson. The film
features the celebrations of Purim, Sukkot and Shabbat, including Havdalah.
Scenes of a wedding ceremony and a look inside a religious grade school
complete this picture of Lubavitch life. |
|
|
29
min. AGE: 12 to Adult |
|
F |
THE HEARTBREAK KID (1972) |
|
Hea (DVD) |
Neil Simon comedy about a young Jewish couple,
Lenny (Charles Grodin) and Lila (Jeanne Berlin), who meet at a bar, fall in
love and get married. When the film opens, they are driving to their honeymoon
in Florida. As they travel, Lenny begins to have second thoughts about his
bride – he becomes disgusted by the way she chews her food and sings out of
key. When Lila develops a terrible sunburn and must stay in the hotel room,
Lenny goes to the beach and meets Kelly, the glamorous blonde “wasp” of
his dreams. A relationship soon ensues and Lenny must decide with which his
future lies. Note: Jeanne Berlin received an Oscar nomination
in the role as Lenny’s Jewish wife. The stereotypes in this movie are
obvious – Jewish Lila is somewhat unattractive, whiney, self-conscious and
unglamorous; while non-Jewish Kelly is glamorous, cool and self-assured. Some
viewers may take offense at the comparisons – others will find it part of
the film’s humor. Rated PG. |
|
1 hr. 45 min. AGE: 12 to Adult |
|
F |
HESTER STREET (1975) |
|
Hes |
Gitl, a religious
Jew from Russia, arrives in America to be reunited with her husband in New
York in 1896. To her dismay, she learns that he has found another love and
has rejected religious traditions. Through determination and perseverance,
she adapts to American life and wins the love of a gentle scholar. Stars
Carol Kane. |
|
|
In English, but includes some Yiddish with subtitles.
B&W. 1 hr. 29 min. AGE: 12 to Adult |
|
JHVC |
|
|
F |
His People (1925) |
|
His |
Between 1880 and
1924 more than two million Jews from Eastern Europe arrived in America, many
of them settling in poor, congested areas of big cities. "Scattered for
centuries," reads the film's opening title, "these people have come
from the four corners of Europe, each bringing a dream of prosperity and
happiness." Newcomers often found these two dreams mutually exclusive; His People seeks to unify them in a
peculiarly American manner. This superb 1925 silent film tells the tale of an
immigrant family whose tradition and values are all but shattered by the encounter
with the New World. The Cominsky family—the learned, religious father who
struggles to survive in America; the big-hearted forgiving mother; and the
sons, one a lawyer clambering the social ladder, the other a prizefighter,
unlettered but generous—embodies all the hopes, conflicts, misunderstandings
and regrets of the era. |
|
|
B&W.
1 hr. 31 min. AGE: 14 to Adult |
|
F |
HIS WIFE’S LOVER (Zayn Vaybs Lubovnik)
(1931) |
|
His |
Yiddish musical
comedy about a handsome actor who makes a wager with his uncle, betting that
there are honest women in the world—when his uncle claims there are none. The
actor disguises himself as a crotchety old millionaire and marries a
beautiful young woman. Then he tests the woman’s fidelity by changing back to
his regular appearance and visiting her with the intent to seduce her. In the
process, he falls in love with her himself. Stars Ludwig Satz. |
|
|
In Yiddish with subtitles.
B&W. 1 hr. 17 min. AGE: 14 to Adult |
|
F |
THE HOLLOW BOY (1989) |
|
Hol |
The story of the
uneasy friendship of two young men—one Jewish and one the son of German
immigrants—in 1936 New York City. Based on a short story by Hortense
Calisher. Note: Excellent adaptation, originally aired on PBS, which can be
used for discussions on anti-Semitism, pre-Holocaust, friendship and family
life philosophies. It should be pointed out to students that the portrayal of
the German family in this video is stereotypical—and this can be used as a
springboard for discussions about stereotypes. |
|
|
1
hr. AGE: 11 to Adult |
|
791.43 |
|
|
Hol |
This
video—originally titled Jews, Movies,
Hollywoodism and the American Dream—is based on Neal Gabler’s book, Hollywood: An Empire of Their Own.
The film documents how the leading studios that gave rise to Hollywood were
founded and run by Eastern European immigrants. This includes the Warner
brothers, Samuel Goldwyn, Universal Studios founder Carl Laemmle, Louis B.
Mayer of MGM, William Fox of 20th Century Fox, and Paramount’s Adolf Zukor.
This documentary analyzes the Eastern European roots and the personal lives
of each of these Hollywood movie moguls. It also documents the rise of
American film and shows how these men, who were raised with Jewish
backgrounds and values, helped to shape many of the values found in Hollywood
films—even though the films rarely depicted Jews or Jewish subjects. A
fascinating look at the impact of Jews on American movies. Includes many film
clips, home movies and interviews. Note: The perfect introduction to a study of film series on American
Jewish film. |
|
|
Color/B&W.
1 hr. 40 min. AGE: 14 to Adult |
|
JHVC |
|
|
F |
Homicide (1991) |
|
Hom |
How far can
assimilation go? Can one leave behind all sense of Jewish identity? Even the
most assimilated Jews can encounter circumstances which force them to confront
their Jewish self. When the encounter involves overt anti-Semitism, the
response can vary from puzzled to explosive. In Homicide, police hostage negotiator Robert Gold (Joe Mantegna)
confronts his long-buried Jewish identity as he searches for a criminal
wanted by the FBI for the murder of an elderly Jewish shopkeeper. Assigned to
the case because he's a Jew, Gold grapples with his unformed Jewish side
while he learns about the murdered woman and her circle of acquaintances. His
encounters with others underscore the tensions between his police work and
his sense of Jewish identification. The pressure to “prove himself” leads
Gold down paths of corruption, manipulation, and violence. Note: Contains violence
and obscene language. |
|
|
1
hr. 40 min. AGE: Adult |
| F | I LOVE YOU, I LOVE YOU NOT (1996) |
|
ILo (DVD) |
Uneven drama about Daisy (Claire Danes), a shy Jewish teen in a New York prep school, who develops a crush on Ethan (Jude Law), the most popular guy in school. Although Daisy is a quiet bookworm, a poem that she writes attracts Ethan’s attention. The two become a pair – much to the disgust of Ethan’s friends. Daisy has an extremely close relationship with her grandmother (Jeanne Moreau), a Holocaust survivor. They share secrets and innermost thoughts, and are inseparable – almost like best friends. Frequently, the grandmother tells Daisy bits about her experiences in the Holocaust, shown through flashback scenes. A repeated scene shows how the grandmother’s best friend rejected her because she was a Jew. This theme of anti-Semitism is repeated when Daisy’s classmates learn she is a Jew (Daisy is blonde and no on suspected her of being Jewish). First, Daisy finds an anti-Semitic clipping on her locker and eventually, Ethan breaks up with her, telling her that she’s different and “too intense.” Daisy is overwrought with grief but by the end, viewers are led to believe that the love and strength shared with her grandmother will carry her through. Note: The film grapples with many important ideas but doesn’t seem to quite hold it together. A rating of PG-13 was given probably for some obscene language (Daisy has difficulty saying swear words and the grandmother tries to get her to say them aloud as a means to release her anger). Teachers should preview before using this in a classroom. |
|
80 min. AGE: 13 to Adult |
|
|
JHVC |
|
|
F |
The Imported Bridegroom (1989) |
|
Imp |
Asriel Stroon is an
immigrant who's made good in America. At the turn of the century, he has a
successful business, a large home, and a beautiful daughter. But the cost of
such affluence is his spiritual life. By marrying off his precious Flora to
an imported yeshiva bocher, he
hopes to compensate (on some heavenly scorecard) for his own failings. But
Flora has other plans. She wants to marry an "uptown doctor" and
lead a sophisticated life. Flora tries to manipulate her father as well as
Shaya, the Old Country bridegroom. But nothing proceeds as any of the
characters plan—and Asriel, Flora, and Shaya are surprised by developments
that seem out of their control. Based on a story by Abraham Cahan, this sad,
funny, and wise film provides a memorable view of the immigrant experience. |
|
|
1
hr. 33 min. AGE: 12 to Adult |
|
JHVC |
|
|
296.833 |
In Her Own Time (1985) |
|
In |
When Barbara
Myerhoff, whose life as an anthropologist has been dedicated to the studies
of community, learns that she is dying of lung cancer, she decides to
document her own search for solace in the spiritual community of Jewish
religious observance. Myerhoff engages in a journey through the pathways of
Judaism while studying the life of an Orthodox community in Los Angeles. A
secular academic accustomed to a life of individuality and independence, she
nonetheless feels herself drawn to living in a way that is more intensely
Jewish, more bound by rituals and traditions. Her quest for a place for her soul
is the basis of In Her Own Time, as
much about life as about dying. |
|
|
50
min. AGE: 13 to Adult |
|
973 |
|
|
Isl |
The story of Ellis
Island and the American immigration experience. Produced for the Ellis Island
Immigration Museum. Study guide available. Note: The film is not specifically Jewish, but
it presents the experience of the Jews among other immigrants. |
|
|
30
min. AGE: 10 to Adult |
|
JHVC |
|
|
808.97 |
The Jack Benny Show (1958) |
|
Jac |
The great comedian
Jack Benny described his approach to humor this way: "I try to make my
character encompass everything that is wrong with everybody. On the air I
have everybody's faults. All [viewers] know someone or have a relative who is
a tightwad, show-off or something of that sort." Indeed, Benny created a
wry character who was the archetypal ongeblozen
tightwad, and audiences adored him for it. The Jack Benny Show utilized Benny's superb timing and eccentric
mannerisms to create a weekly masterpiece of situational humor. Featuring
outstanding supporting personalities like his wife, Mary Livingstone,
announcer Don Wilson, singer Dennis Day, and Eddie Anderson as his valet
Rochester, Benny's working and home life was the butt of a running series of
gags that played off the comedian's legendary stinginess, vanity, and lack of
violin virtuosity. |
|
|
B&W.
51 min. AGE: 12 to Adult |
|
781.7 |
JAN PEERCE: IF I WERE A RICH MAN (1990) |
|
Jan |
Violinist Isaac
Stern hosts and narrates this film biography of singer Jan Peerce. The film
traces Peerce’s career from its beginnings on the Lower East Side of
Manhattan. It follows his work first as a cantor, then in the opera and
finally, on Broadway. It includes many conversations between the famous tenor
and his friend, Isaac Stern, as well as film footage of many of his
performances. Peerce was best known for his work in opera as well as for his
role as Tevye for the Broadway production of Fiddler on the Roof. The video includes his historic hit
recording of “Bluebird of Happiness.” |
|
|
59
min. AGE: 10 to Adult |
|
JHVC |
|
|
F |
The Jazz Singer (1927) |
|
Jaz |
The Jazz Singer was the first
feature film to contain sound sequences. Its premiere spelled the end for
silent movies. This break with the past for the glamour of the present is the
theme of the film itself in which the traditions of Old World Judaism run
headlong into modern culture. Al Jolson plays Jakie Rabinowitz, a young man
who adores jazz—"the sacred music" of a new America. But Jakie's
intense desire to sing jazz conflicts with his father's wish that his son
follow in his footsteps as a cantor. With audiences clamoring for his talent,
Jakie must choose between honoring his parents and the American dream.
Jolson's songs, including "Toot, Toot, Tootsie," and "Dirty
Hands, Dirty Face," attest to his enormous talent and appeal. |
|
|
B&W.
1 hr. 29 min. AGE: 12 to Adult |
|
F |
THE JAZZ SINGER (1952) |
|
Jaz |
Starring Danny Kaye
and Peggy Lee, this was the first remake of the classic Jazz Singer starring Al Jolson. The story is about Jerry, a
young man who comes from generations of cantors and is expected to take over
from his father as cantor of their synagogue. Jerry, however, has just
returned from the Korean War and has dreams of making it in show
business—along with his singer girlfriend. Includes the songs “I’m Looking
Over a Four-Leaf Clover,” Cole Porter’s “Just One of Those Things,” and
Rodgers and Hart’s “Lover.” Note: As much a “period piece” of the 1950’s as the original was of the
1920’s. |
|
|
1
hr. 47 min. AGE: 12 to Adult |
|
F |
THE JAZZ SINGER (1980) |
|
Jaz |
The second and least
successful remake of the classic Al Jolson film about a cantor’s son who
rejects his father’s profession to become a singer of jazz music. Neil
Diamond stars as Jess, the cantor’s son who forsakes his community and turns
his back on his marriage—sacrificing all for his ambition. He teams up with
his new manager, Molly (played by Lucie Arnaz), and heads for the spotlight,
aiming to be a rock star. A romance begins between them which is problematic,
as Molly is not Jewish. Also stars Laurence Olivier (in one of his weakest
roles) as Diamond’s cantor father. Includes the hit song “Coming to America.” |
|
|
1
hr. 55 min. AGE: 13 to Adult |
|
F |
THE
KEEPING QUILT (1993) |
|
Kee |
Author/illustrator
Patricia Polacco reads aloud her children’s book, The Keeping Quilt. This story shows how the patchwork quilt the
author’s Russian great-grandmother made was used as a chuppah and passed down
through the generations in her family. Polacco also introduces her family and
shows the actual quilt on which the story was based. Viewers can note changes
in customs and lifestyles throughout the story. Study guide available. |
|
|
11
min. AGE: 4 to 10 |
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