Birth, Bar/Bat Mitzvah,
Family Life, Aging, Death
|
174.2 |
THE BOTTOM LINE
(Horizons in Bioethics Series) (1991) |
|
Bot |
Two separate
stories are intertwined in this powerful dramatization of the involuntary
treatment of the aged—the dilemma of when to medically intervene and who
makes the decisions. One story focuses on a bright, independent 82-year-old
woman with gangrene in her leg which threatens her life. Doctors wish to
amputate against her wishes. The other story deals with a man with dementia
who chooses to stop eating. Issues addressed include who decides treatment
and whether treatment can be forced on patients against their will. Which is
more important—life or quality of life? A very well produced film which is a
perfect tool for teachers exploring ethical issues with their classes or for
adult education. The video was developed by the Jerusalem Religious Council
and follows halacha (Jewish
religious law). Note: Discussion
leaders must preview—the
emotionally charged subject matter and realistic reenactments may be
upsetting to some viewers. An accompanying book is available in the library
under the title Compelling Issues: Involuntary Treatment of Parents, by Rabbi Yigal Shafran. |
|
|
30
min. AGE: 14 to Adult |
|
296.442 |
|
|
Cir |
Short film which
highlights the significance of the ceremony of the Bris as a central symbol
of Jewish identity. The film explores why it is more than simply a
circumcision, or medical procedure, and mentions some of the health benefits.
It includes a few individual stories, such as those of a 30-year-old Jew from
the former Soviet Union who chooses a bris; a Holocaust survivor discussing
the Bris of his grandson; and a modern mother of triplets explaining why she
chose a Bris versus hospital circumcision. |
|
|
15
min. AGE: 10 to Adult |
|
296.445 |
THE CORRIDOR (1989) |
|
Cor |
Is there life after
death? Exploring the mysterious realm between life and death, this drama triggers
discussion about the traditional Jewish approach to the phenomenon of death,
as well as life in the world to come. |
|
|
25
min. AGE: 12 to Adult |
|
291.1 |
DEATH
(In Two
Octaves: A Debate of Eight Parts Between Judaism & Christianity) (1995) |
|
In |
Part 8 of an
eight-part debate which took place in Jerusalem in 1992 between Professor
Yeshaiyahu Leibowitz and Father Professor Marcel Dubois. In this segment,
Leibowitz defines death as a “lack of life” and believes that beyond death
there is “no human existence.” Dubois believes that “to die is to return to
one’s home; to our Father in Heaven.” |
|
|
31
min. AGE: Adult |
|
296.442 |
THE DISCOVERY (1988) |
|
Dis |
Produced
by the Jewish Theological Seminary, this made-for-TV drama deals with the
significance of Bar Mitzvah. Its story line centers on David, a Jewish boy
(played by Josh Saviano) who doesn’t want to have a Bar Mitzvah. His Bar
Mitzvah lessons interfere with baseball practice, and he is experiencing
doubts about his Jewish identity. Conversations with his friends and family
about Judaism convince him of the significance of Bar Mitzvah and the
importance of Judaism in his life. Note: The film has a forced quality and is plagued with trying to cover
too much in an hour. Numerous questions about basic Jewish beliefs and
customs are addressed—which means the characters have constant unnatural
conversations to explain reasons for Jewish beliefs. It even touches on the significance
of the Holocaust. The video is accompanied by a lengthy study guide prepared
by JTS which provides essays dealing with issues raised by the script—as well
as a section of questions and answers on basic Jewish beliefs and customs.
Teachers dealing with the subject of Bar Mitzvah should preview and may wish
to use the video The Journey
instead. |
|
|
58
min. AGE: 12 to 14 |
| 371.91 | EUGENE (1995) |
| Eug |
True story of the Bar Mitzvah of Eugene Chernyakhovsky, a Jewish boy in Philadelphia with Cerebral Palsy. The film shows how Eugene overcomes many obstacles to prepare for his Bar Mitzvah. Using one foot, he transfers his entire Torah portion to a computer that acts as his voice. Eugene’s determination to accomplish this is unbelievable. Equally admirable are the multitude of volunteers and professionals who are totally committed to helping Eugene achieve his goal. The film concludes with actual scenes from the Bar Mitzvah. An extensive study guide is available with discussion questions for students. Note: An excellent choice for Jewish settings, enabling teachers to discuss disabilities as well as personal courage and determination. Study Guide available |
|
AGE: 11 to Adult |
|
|
174.2 |
DR. GREY’S BABY
(Horizons in Bioethics Series) (1999) |
|
Dr |
This videodrama, produced
by the Jerusalem Religious Council, focuses on Jewish ethical issues
involving fertility. Its hypothetical situation involves a doctor
(“Dr. Grey”) who runs an experimental fertility clinic for couples,
enabling them to design their own offspring. Secretly, he has been conducting
his own experiment—growing a fetus in an artificial womb in a fish tank.
Questions are raised as to the moral dilemmas of both situations. The video
deals with an additional ethical dilemma, as Dr. Grey’s physician discovers
that Dr. Grey has 2-3 months to live—and questions whether or not to
tell him, as it may disrupt the experiment. |
|
|
20
min. AGE: 14 to Adult |
|
296.442 |
THE EIGHTH DAY (1989) |
|
Wur |
The conflict between
the Greeks and Maccabees is at its peak. A young Jewish couple is faced with
the decision of whether or not to circumcise their newborn son. The moving
account not only portrays an important moment in Jewish history, but raises a
variety of questions relevant to our day, including assimilation. |
|
|
23
min. AGE: 12 to Adult |
|
296.444 |
THE EMPTY CHAIR (1981) |
|
Emp |
Deals sensitively
with conflicts facing a divorced, single-parent family celebrating Passover. |
|
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22
min. AGE: 10 to Adult |
|
296.4 |
ENDINGS AND BEGINNINGS (1993) |
|
End |
The Jewish
Theological Seminary produced this video which looks at many different
aspects of the Jewish religion, arriving at a composite of what it means to
be Jewish. The film begins with a focus on the different beginnings and
endings in Judaism found in the holidays and Jewish life cycle. A wide
variety of Jews are interviewed on Jewish subjects including: “Midrash,”
“Covenant,” “What it Means to be a Jew,” “Exodus,” “Land,” “Law,” and “How
Judaism has Survived.” Main interviewees include Emily Bilski, curator of the
Jewish Museum, and Rabbi Neil Gillman of the Jewish Theological Seminary. Note: The film is loosely organized and skips
quickly from topic to topic in a somewhat random fashion. Therefore, it is
not recommended for classroom use, although it is suitable for individuals or
for small group discussions. |
|
|
1
hr. AGE: 14 to Adult |
|
296.445 |
FROM LIFE TO LIFE: DEATH AND MOURNING IN THE JEWISH TRADITION (1979) |
|
Fro |
Documentary
providing a Halachic depiction of Jewish death and mourning rituals:
preparation for burial, the pine coffin and muslin shroud, the Taharah
ritual, burial, shiva, and the need for a tombstone. The film uses the situation
of a young mourner being instructed by a rabbi as its framework. Individuals
knowledgeable in the different funeral procedures (Taharah, burial,
tombstone) describe how each custom is performed. Explanations for traditions
are offered by Rabbi Menachem Rokeach and Rabbi Joseph Chait. Note: The video opens with a short black and
white scene of a mourner saying Kaddish, then switches to color. Although the
beginning segments are not terribly engaging, this film sensitively covers
how death and mourning are handled according to Torah law. Recommended as a
guide for young adults and adult education, as well as for mourners. |
|
|
30
min. AGE: 13 to Adult |
|
301.421 |
GEFILTE FISH (1987) |
|
Gel |
Three generations of
women share their individual methods for making gefilte fish, while
discussing family commitment and tradition and their place in contemporary
society. Study guide available. |
|
|
15
min. AGE: 12 to Adult |
|
296.445 |
GENERATION TO GENERATION: JEWISH FAMILIES TALK ABOUT DEATH (1999) |
| Gen |
Excellent film for families
dealing with death from a Jewish perspective. The premise of this video is
that it is crucially important for parents to openly and honestly discuss
death with their children when faced with the death or terminal illness of
someone close to them. According to Rabbi Irwin Groner, one of the main
commentators in the film, “If we want our children to grow and to mature
and to be able to cope with life, we should consider it our obligation to
introduce to them at a young age the significance and the meaning of death.
For, if we fail to do this, then death will remain a mystery – and children
will place in that locked cellar, that locked door, their worst and
unimaginable fears.” Throughout the video, young children and adults
tell their personal stories of the death of a loved one – how they reacted
and how they handled this loss together. Discussions include the loss of a
child/sibling as well as parents, grandparents and family friends. Both age
groups confirm the strong need for honest discussion. Issues are discussed
within a Jewish context, and Jewish customs for burial are also briefly
presented. The film strongly advocates children being present at the funeral
service and at the cemetery, and shows brief clips of both cemeteries. The
period of Shiva, the week after burial, is also discussed and shown on film.
David Techner, a national known and sensitive funeral director and author,
provides advice for parents in this highly instructive video, produced by the
Jewish Federation of Metropolitan Detroit. Note: This film is
ideal for family viewing or for group or classroom use. It may be used with
younger children with parent supervision. |
|
35 min. AGE: 10 to Adult |
|
362.6 |
GRANDMA
DIDN'T WAVE BACK (1982) |
|
Gra |
Portrays an eleven
year old as she must adjust to inner conflicts as first her aging grandmother
moves in with the family, and then, as senility increases, grandma must move
to a nursing home. Stars Molly Picon. |
|
|
24
min. AGE: 8 to Adult |
|
296.444 |
THE JEWISH FAMILY: ROOTS AND TRADITION (1985) |
|
Jew |
A stimulating
trigger film which helps the viewer clarify his understanding of how the
Jewish family can be an effective vehicle for transmitting Jewish traditions
and values. It forces people to analyze their commitments and
responsibilities to their families as part of their relationship with the
extended family called the Jewish people. Produced by The Melitz Centers for
Jewish Zionist Education. Study
guide available. Note: Film is made of
still shots with narration |
|
|
22
min. AGE: 12 to Adult |
|
296.442 |
THE JOURNEY (1989) |
|
Wur |
A 13-year-old
Russian boy and an American Jewish engineer meet in Leningrad during World War
II and form a relationship that changes both their lives. The engineer,
Jewishly ignorant, accepts the task of teaching the boy the meaning of Bar
Mitzvah and Judaism. Contrasts Soviet and American Jewry, as well as explores
the relationship between Jewish education and identity. Study guide
available. |
|
|
34
min. AGE: 12 to Adult |
|
392.4 |
ME AND MY MATCHMAKER (1996) |
|
Me |
Lively documentary
about a Jewish matchmaker, made by a non-Jewish, single filmmaker. Irene Nathan
decided to enter the matchmaking business after her son had grown, to help
single Jews meet each other. At the time the film was made, she had been in
the business for sixteen years in Chicago, where she is an active member of
the Orthodox Jewish community. The film opens with a potpourri of snippets of
some of Irene’s clients—they tell her what they’re looking for in a future
spouse and later give their reactions to the dates Irene has arranged for
them. Viewers are also treated to a good dose of the matchmaker’s philosophy
about relationships between men and women. A close friendship develops
between filmmaker Mark Wexler and Irene, as she advises him on his own
romances—and warns him to stay away from her Jewish clients unless he plans
to convert (advice he doesn’t always follow). Note: An enjoyable and
enlightening film which can be used to generate discussions about modern
relations between Jewish men and women, exploring perceptions they have of
each other which often create barriers. |
|
|
55
min. AGE: Adult |
|
296.442 |
THE MITZVAH MACHINE (1987) |
|
Mit |
Animated trigger
film about a boy who is resistant to his upcoming Bar Mitzvah, feeling that a
machine could say the words and do the rituals as well as himself. He builds a
robot clone of himself which actually performs the Bar Mitzvah—and he learns
that a person doesn’t “have” a Bar Mitzvah, he “becomes” one. Designed to
emphasize the importance of making mitzvot a part of everyday Jewish life.
Study guide available. |
|
|
9
min. AGE: 9 to Adult |
|
JHVC |
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|
362.6 |
Number Our Days (1983) |
|
Num |
Anthropologist
Barbara Myerhoff, whose scholarly work focused on the study of indigenous
peoples, decides to research a community where she feels an emotional connection,
that of elderly American Jews. In this Academy Award-winning portrait,
Myerhoff conducts field work at the Israel Levin Jewish Community Center in
Venice, California, which is a magnet for a group of men and women in their
eighties and nineties, many of them originally from Eastern Europe.
Proceeding from the idea that one day their fate will be her own, Myerhoff
takes much more than an academic interest in the ways her subjects deal with
poverty, illness, loneliness, and old age. She shows how they find important
solace in the company and activities of the center. With unusual warmth and
compassion, she explores their histories and records the texture of their
lives, where nothing is taken for granted. |
|
|
29
min. AGE: 12 to Adult |
|
F |
THE OUTSIDE CHANCE OF MAXIMILIAN GLICK (1988) |
|
Out |
A “feel good”
Canadian coming-of-age story about Maximilian, a bright Jewish boy in 1963
Winnipeg, whose Bar Mitzvah approaches. When the community’s beloved rabbi
dies, they hire a rabbi—sight unseen—and discover upon his arrival that he is
a Hasid. Rabbi Tittelman oversees Maximilian’s Bar Mitzvah education, and a
warm friendship develops in which both ultimately learn from each other. The
plot also involves Maximilian’s friendship with a non-Jewish girl—a
friendship her family adamantly rejects. Note: This film is suitable for family or classroom use, but viewers
should know that the film includes a number of negative Jewish stereotypes.
Some viewers may also object to a particular transformation of the rabbi in
the end. |
|
|
1
hr. 36 min. AGE: 10 to Adult |
|
362.6 |
POP (1998) |
|
Pop |
Photographer Joel
Meyerowitz created this heartwarming portrait of his “Pop”—his 87-year-old father,
Hy Meyerowitz, who is suffering from Alzheimer’s disease. Meyerowitz takes
his dad and his own grown son on a two-week road trip from Florida to New
York City, where Hy was born. Photos and film clips of Hy’s past are
intermingled with his reminiscences of special times in his life. Despite his
Alzheimer’s, viewers see a vibrant and street-wise man who has lost his
memory but has kept his vitality and zest for life. This bittersweet picture
of a true survivor—a man who overcame obstacles with his optimism, drive and
force of personality—was created by a son who loved him and wanted to show
others who his father really was. Note: Some language is unsuitable for young viewers. |
|
|
1
hr. AGE: Adult |
|
174.2 |
A QUESTION OF AUTHORITY
(Horizons in Bioethics Series) (1991) |
|
Que |
A young mother of
two is declared brain dead in a hospital after a terrible fall. She is eight
months pregnant and being kept alive on a respirator. Doctors wish to perform
a cesarean to deliver the child, but they cannot assure the father that the
baby will not be brain damaged. This video deals with a multitude of medical,
ethical and legal questions surrounding the case including: What is death?
How is death determined? What constitutes a human being, and is a fetus a
person? What are the father’s rights and the physicians’ obligations? Who has
the responsibility to decide? Do the handicapped have fewer rights, or are
their lives less valuable? The film was developed by the Jerusalem Religious
Council and deals with the stance of halacha (Jewish religious law) on all of
the issues. It also defines bioethics and the connection between biblical law
and medicine. Note: Discussion
leaders must preview and determine
suitability for their audience. An accompanying book is available in the
library under the title A Lack of Authority: On the Borders of Life and
Death, by Rabbi Yigal Shafran. |
|
|
25
min. AGE: 14 to Adult |
|
JHVC |
|
|
296.4 |
Ritual: Three Portraits of Jewish
Life (1989) |
|
Rit |
The practice of
ritual affirms our place within our faith, fosters a sense of continuity and
identity, and affords stability. But does the process of performing a ritual
guarantee a spiritual experience? Or are rituals merely tools that help us
express spirituality? Ritual: Three
Portraits of Jewish Life examines the place and nature of rituals in
Judaism, and tries to answer these questions. The film explores the
importance and meaning of ritual through examples drawn from life: a
rabbinical student explains why she has incorporated daily prayer into her
life; a family builds a sukkah to
enhance their celebration of the Sukkot holiday; and a mother and father
describe their emotions as they participate in the circumcision ceremony of
their newborn son. Interspersed with these moving examples, theologians
discuss the nature of rituals and try to define exactly what they are. |
|
|
1
hr. AGE: 12 to Adult |
|
296.445 |
"SAYING KADDISH" (1991) |
|
Say |
This drama deals with
a Jewish family affirming life in the face of death. Focuses on the
relationship of two grown sisters after the death of their mother, as well as
the importance of community in a time of personal crisis. Sibling rivalry is
an additional theme. One sister remained single and helped care for her ill
mother; and she resents the other sister (played by Tova Feldshuh) who moved
out of town, married (and is now separated with a child) and has a important
career. The out-of-town sister, on the other hand, feels that the mother
rejected her and favored her sister—and she is initially unable to mourn.
Produced by the Jewish Theological Seminary. Note: Jewish mourning customs are also
illustrated in this fine film which won an Academy Award for Best Live Action
Short Subject. |
|
|
58
min. AGE: 10 to Adult |
|
296.444 |
|
|
Sea |
Depicts a
traditional Jewish wedding, presenting Biblical and Talmudic sources of the ceremony.
Includes engagement, Ketubah, wedding preparations, and the wedding ceremony.
The film follows a young couple’s marriage. The ceremony is performed by
Rabbi Maurice Lamm, who provides explanations and commentary. The couple,
both involved with Jewish education, share their views as well. |
|
|
30
min. AGE: 11 to Adult |
|
F |
SHIV’A (1996) |
|
Shi |
Surrealistic and
mystical modern Israeli film. Gaby is a 25-year-old woman who works for a catering
service specializing in cooking and giving advice to families during the
seven days of mourning after a death. When a young cello player from the
Israeli Philharmonic suddenly dies, Gaby is sent to work in his home during
Shiv’a. The spirit of the deceased hovers over all who are present in the
home, but Gaby is the only one who can see him and connect to him—unknown to
the others. A fascinating glimpse into a contemporary Israeli family caught
between modernity and tradition. Note: Contains partial nudity and some content that may not be suitable
for young viewers. |
|
|
In Hebrew with subtitles. 50
min. AGE: 16 to Adult |
|
155.45 |
SOMEONE IS LISTENING
(1988) |
|
Som |
The story of Jonathan,
a deaf teenager, who meets a rabbi who communicates with him in sign
language. With the rabbi’s guidance, Jonathan becomes a Bar Mitzvah. Includes
a 10 minute segment at the end presenting 30 basic signs with Jewish
meanings. |
|
38 min. AGE: 11 to Adult |
|
|
F |
UNSTRUNG HEROES (1995) |
| Uns | Unusual and touching drama about a young boy, Steven Lidz, with a most unusual family. Steven’s father (John Turturro) is a scientist and an inventor who has two extremely eccentric (and possibly crazy) uncles played by Michael Richards and Maury Chaykin. When Steven learns that his mother (Andie MacDowell) is dying from cancer, he chooses to live with these two unconventional uncles. Although the uncles may seem crazy to many, they are warm, loving and creative (one uncle is paranoid and thinks Nazis are spying on him all the time). The uncles’ apartment is stacked to the ceiling with old newspapers and their closet is filled with balls. Immediately, Steven’s uncles set about trying to improve his self image. They begin to call him “Franz” instead of Steven to give him a name of more distinction (like the composer, Franz Liszt). They teach him to be a proud individual, not to be afraid to speak his mind. The uncles also teach Steven a respect for his Jewish background – something of which his atheistic father disapproves. When disaster strikes – in more than one way – this very odd family illustrates what really being a family is all about. Directed by Diane Keaton, Rated PG. |
|
1 hr. 33 min. AGE: 12 to Adult |
|
|
296.3 |
|
| Whe | Based on the best selling book by Rabbi Harold Kushner, this video takes a closer look at the lives of 6 men and women who have confronted and overcome monumental loss. Periodically, Rabbi Kushner interjects his philosophy, commentary, and tells about his own personal experiences dealing with the loss of his son from progeria. The individuals interviewed include 3 groups of parents who have lost children (one as an adult, one as an infant, and one as a teenager), a woman with terminal cancer and her friends and family, and a therapist who deals with severely handicapped individuals. Those interviewed have life affirming attitudes and express how living through tremendous loss has given them the ability to help others experiencing suffering. |
|
41 min. AGE: 12 to Adult |
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