JUDAISM
(INTERMARRIAGE & INTERDATING)
| 917.3 | AMERICAN LIVES JEWISH STORIES (2000) |
| Ame |
Three-part documentary that uses personal stories
to explore what it means to be Jewish in America. The video is structured so
that individual teachers can use any portion separately or view the three as a
whole. Note: The individual segments are ideal for classroom
use in exploring themes of Jewish identity – the middle segment is a good
choice for discussions about interdating. A study guide is available. |
|
46 min. AGE: 12 to Adult |
|
|
|
KEHILA: A COMMUNITY IN THE WOODS |
| The first segment focuses on Jewish identity and the summer camp experience. The setting is Camp Interlaken in Eagle River, Wisconsin. Jewish life at camp is profiled with numerous interviews with counselors, CITs (counselors-in-training), campers and the camp director. Scenes highlight teen campers celebrating Shabbat, singing Jewish songs and discussing values and the part Judaism plays in their lives. Campers and counselors also contrast their home Jewish experience with their Judaism at camp. Note: Milwaukee viewers may recognize familiar faces. | |
|
16 min. (with intro to film) |
|
| The second segment follows the personal story of a 23-year-old Jewish woman in Boston who feels torn between her Judaism and her love for a Catholic man. Faye Ruth has been dating John since their senior year in high school and never expected the relationship to become serious. Faye Ruth is also extremely close to her family. Her parents feel strongly about her marrying a Jew and her sister is engaged to a Jew. Faye Ruth’s parents and roommate express varying viewpoints on the situation. Viewers see Faye Ruth in a number of environments: her job (for a social action group), at shul, and with a Jewish group she’s involved with. The conclusion of this segment is open ended, with the viewer not knowing what Faye Ruth’s ultimate choice will be. Note: Her boyfriend is not part of this film, outside of a few photographs. The focus is on Faye Ruth’s dilemma and how she and those closest to her feel about it. | |
|
15 min. |
|
| RACHEL CAME HOME | |
| The final segment focuses on Rachel, a Jewish woman in Baltimore, and her journey back into her Jewish faith. As a young person, Rachel was turned off by Judaism and dated non-Jews. Ultimately, she married a Jewish man, had children and she and her husband both started to re-explore their Judaism through shared Judaic classes. Slowly, they began to practice Jewish customs again. The video illustrates how Rachel and her family build a sukkah and celebrate Shabbat together. Both she and her husband describe the place Judaism holds in their lives. | |
|
15 min. |
|
|
F |
CROSSFIRE (1988) |
| Cro | Set in 1947-1948 Palestine, this drama is based on the true story of the romance between a beautiful young Israeli woman and the Arab man she falls in love with. Miriam works in her mother’s restaurant in Tel Aviv and meets George, a debonair Arab from Jaffa at a security check point. George learns where she works and pursues her – and their mutual attraction and compatibility lead them into a romantic relationship. Unfortunately for the two of them, Miriam’s brother is active in the Haganah and George’s friends want to rid Palestine of Jews. When the UN declares Israel a state, tensions and gunfire erupt, and the pair separate. Eventually, they decide to flee the country together but the Haganah and Lechi movements have been watching them (fearing Miriam is a traitor) and tragedy strikes. |
|
In Hebrew with subtitles. 1 hr. 30 min. AGE: 13 to Adult |
|
| JHVC | |
| F | DIRTY DANCING (1987) |
| Dir |
Since the early part of the century, New York’s Catskill Mountains have been home to summer resorts catering to a Jewish clientele. Dirty Dancing takes place at a fictional resort where conflicts in class and privilege are played out through the romantic relationship between a naďve Jewish girl and a streetwise gentile dance instructor. Dirty Dancing stars Jennifer Grey as “Baby,” an idealistic seventeen-year-old vacationing with her family in the Catskills in the summer of 1963. Late one evening, she walks in on a private dance party and becomes spellbound by the resort’s instructor, Johnny (Patrick Swayze). Resenting her at first for her affluence, Johnny slowly learns to appreciate her values, and she, in turn, learns about life and love. Rated PG-13. |
|
1 hr. 45 min. AGE: 13 to Adult |
|
|
F |
EVERY TIME WE SAY GOODBYE (1986) |
| Eve | Love story between an American pilot, the son of a minister, and a beautiful Sephardic Jewish girl in 1942 Jerusalem. A young Tom Hanks stars as David Bradford, a U.S. officer with the Royal Air Force who is injured during fighting in World War II. He is sent to an army hospital in Jerusalem where he befriends Sarah – a friend of his squadron leader’s fiancé. The two become great friends and eventually fall in love amid the protests of Sarah’s religious family. Rated PG-13. |
|
1 hr. 37 min. AGE: 13 to Adult |
|
|
JHVC |
|
|
296.444 |
|
|
Int |
Produced in association
with the Reform movement, this film explores the realities of a growing
phenomenon in American Jewish life: Between 40 and 50 percent of Jews today
marry non-Jews. The five couples in the film are participants in a program
designed to provide a Jewish orientation for interfaith couples not closely
affiliated with the Jewish community. Their real-life stories and struggles
are profound. The couples are shown during group sessions as well as at home
with their families; several parents also speak out. Among the issues they
grapple with are raising children, celebrating holidays and family
milestones, and finding community. Viewers will see intermarriage close-up in
this focused look at a major dilemma facing the American Jewish community,
with far-reaching implications for the future. |
|
|
33
min. AGE: 12 to Adult |
| 940.53 | JEW-BOY LEVI (VIEHJUD LEVI) (1999) |
| Jew |
German drama about Benjamin Levi, a German Jewish
cattle dealer in 1935 whose world falls apart when the Nazis gain power in
Germany. Levi trades cattle to small villages in the Black Forest area and is
generally a well-liked and affable man. He is the only Jew in his village and
is a gentle man who sings Yiddish songs to his rabbit. Levi loves Lisbeth, a
farmer’s daughter (who also has a non-Jewish suitor). When a Nazi engineer
arrives in the village to repair a tunnel, he begins to spout anti-Semitism.
Viewers watch as the villagers slowly turn against their old friend, Levi,
escalating into cruelty and violence. Contains violence. Note: This
film is most effective for its non-compromising depiction of how fast an
ordinary community of people can turn on their friends and neighbors once the
seeds of hatred have been sown. |
|
In German with subtitles. 1 hr. 30 min. AGE: 14 to Adult |
|
|
F |
LIBERTY HEIGHTS (1999) |
| Lib |
Barry Levinson’s semi-autobiographical drama
focusing on a Jewish middle class family in 1954 Baltimore – his fourth
Baltimore film (joins Diner, Tin Men and Avalon). The
film focuses on the two sons in the family as they explore the world around
them. Academy Award winner Adrian Brody plays Van, the oldest of the boys, and
a college student. Van attends a gentile party with his friends and falls for
an attractive and aristocratic blonde. The younger brother, Ben, befriends a
beautiful and intelligent African-American girl who enters his school during
the time of early desegregation. Neither family approves of this alliance –
especially hers (her father is a doctor). The film has many humorous moments
(although viewers will either find it humorous or distasteful to see a Jewish
boy who wants to be Hitler for Halloween). Many issues are tackled, including
racism, anti-Semitism, Jewish identity and the mixing of people from different
cultures and classes. Note: Some viewers may feel that the
portrayals of the older Jews in the film are somewhat stereotyped. The father
and his buddies run a burlesque show, which is a cover for a numbers racket.
The mother continually warns her kids to be careful of “the other kind.”
Levinson actually attempted to break Jewish stereotypes with this film. He
portrays middle class Jews who are similar to the Jews he grew up with, and
who are just beginning to explore beyond the Jewish world. Rated R. |
|
2 hrs. 8 min. AGE: 17 to Adult |
|
|
296.436 |
A PURIM MESSAGE (1987) |
|
Pur |
A modern view of
the Purim story, dealing with the problems of intermarriage and assimilation.
The framework of this video involves three college students in Israel working
on a video project about Jewish holidays. When one of the students receives
news that her sister is serious about a non-Jewish man, it sets off a whole
series of discussions and role playing—including a closer look at Queen
Esther’s marriage to King Ahasuerus. Produced by the World Zionist
Organization. Note: Should be
previewed by schools for suitability. |
|
|
25
min. AGE: 12 to Adult |
|
296.444 |
RACHEL (1974) |
|
Rac |
A trigger film
designed to introduce the subject of intermarriage. A middle-aged Jewish man
appears to be mourning his daughter's death—but the viewer discovers that she
is intermarrying, and it is the hour of her church wedding. Study guide
available. Note: A good tool for
discussion, but know your audience—it may be offensive to some people. |
|
|
3
min. AGE: 12 to Adult |
|
F |
SOLOMON & GAENOR (2000) |
| Sol |
Drama set in 1911 Wales about the romance between
Solomon, a young Jewish door-to-door linen salesman and Gaenor, the daughter
of a church-going mining family in the town where he does business. Solomon is
attracted to Gaenor and courts her concealing from her his Judaism and his
family. The lovers meet secretly at first, and Gaenor can’t understand why
Solomon does not marry her. After some anti-Semitic eruptions, Solomon’s
family’s business is destroyed and they leave the area. The film has a
tragic ending and is reminiscent of a modern Romeo and Juliet tale. Includes
beautiful cinematography, fine acting and an interesting view of Jewish life
in Wales. Note: Includes some nudity and violence. |
|
In English, Welsh and Yiddish. AGE: 17 to Adult |
| JHVC | |
| F | THE WAY WE WERE (1973) |
| Way |
Katie Morosky and Hubbell Gardner couldn’t be more different. She’s a political activist, a working-class Jew who attends college while holding several jobs; he’s a wealthy gentile, born to privilege, who wins several varsity letters for college sports. A pair of near-opposites, they powerfully attract each other when they meet again eight years after graduation. Katie and Hubbell marry, but theirs is no easy relationship. The differences that drew them together also strain their marriage, overriding their affection. Katie cannot stop trying to perfect the world and Hubbell cannot bear her attempts to fix everything around her, including him. Set against the background of World War II and the McCarthy era, The Way We Were is an unforgettable portrait of a deep love that can’t last. Rated PG. |
|
1 hr. 58 min. AGE: 12 to Adult |
|
|
296.444 |
WHAT PAUL TOLD SALLY (1980) |
|
Wha |
In this trigger film,
Paul is faced with the dilemma of whether or not to take Sally, a non-Jewish
girl, to a Jewish Community Center dance. His friend and his coach advise
against it. Some important differences between Jewish and Christian religious
traditions are explained. Some of the dialogue is contrived and the acting
amateurish. Produced by UAHC and the United Synagogue Commission on Jewish
Education. Note: This film exposes
major concerns about interdating and intermarriage. Since the film is
open-ended—not providing a solution to the problem—this material should be
shown by a knowledgeable discussion leader. |
|
|
12
min. AGE: 12 to Adult |
Additional films
which deal with Intermarrige or Interdating:
|
|
ANNIE HALL
|
|
|
ASSISTANT, THE |
|
|
AUTUMN SUN |
|
|
CRIMES AND MISDEMEANORS |
|
|
CROSSING DELANCEY |
|
|
ENEMIES: A LOVE STORY |
|
|
FUNNY GIRL |
|
|
GENTLEMAN’S AGREEMENT |
|
|
JAZZ SINGER, THE (1927, 1980) |
|
|
LEON THE PIG FARMER |
|
|
MAJORITY OF ONE, A |
|
|
MISS ROSE WHITE |
|
|
SOFIE |
|
|
TEVYE |
Judaism Categories: